門之彼端-芭梅菈‧埃米亞個展

門之彼端-芭梅菈‧埃米亞個展
From the other side of the door - Pamela Hevia Solo exhibition
展期：2013.10/5~11/10


  手帕系列No title. 感光樹酯版印於復古手帕Photopolyemr on vintage handkierchief. 28 x 28 cm.2013手帕系列No title. 感光樹酯版印於復古手帕Photopolymer on vintage handkerchief. 28 x 28 cm. 2013 手帕系列No tiltle. 感光樹酯版印於復古手帕Photopolymer on vintage doilie. 16 x 16 cm. 2013手帕系列No title. 2013. 感光樹酯版印於復古手帕Photopolymer on vintage doilie. 16 x 16 cm.手帕系列No title. 2013. 感光樹酯版印於復古手帕Photopolymer on vintage doilie. 21 x 21 cm
 芭梅菈‧埃米亞 捕捉思緒taking up the thread‧木刻版印於布料與穿線Woodcut on fabric and thread‧ 44 x 36 cm ‧2012芭梅菈‧埃米亞,不折磨我的那部份That part that do not torments me,木刻版印於二十世紀初法國布料、印花棉布、線,77 x 45 cm,2013芭梅菈‧埃米亞〈Balance平衡〉woodcut on 19th century print fabric, Unique copy木刻版印於19世紀布料僅一版‧42.5x50 cm‧2013 芭梅菈‧埃米亞,夜晚的視線Small night sight,木刻版印於二十世紀初法國布料、印花棉布、線,58 x 37cm,2013芭梅菈‧埃米亞,溝通Easy to talk hard to communicate, 木刻版印於二十世紀初法國布料、印花棉布、線, 78 x 45.5 cm, 2013芭梅菈‧埃米亞,轉移穿透我的裂痕Slipping through my cracks,木刻版印於二十世紀初法國布料、印花棉布、線,66.5x46cm,2013
芭梅菈‧埃米亞〈Crossed position交錯的狀態〉woodcut on 19th century print fabric, Unique copy木刻版印於19世紀布料僅一版‧62x79cm‧2013 芭梅菈‧埃米亞〈Illusion of melancholy憂鬱的錯覺〉woodcut on 19th century print fabric, Unique copy木刻版印於19世紀布料僅一版‧44.5x59 cm‧2013 芭梅菈‧埃米亞〈Cocoon 繭〉 woodcut on 19th fabric木刻版印於19世紀布料僅一版‧2013, 40 x 25.5 芭梅菈‧埃米亞〈metamorphosis蛻變〉 woodcut on 19th fabric木刻版印於19世紀布料僅一版‧2013, 90 x 72 芭梅菈‧埃米亞〈Open circle〉 woodcut on fabric木刻版印於19世紀布料僅一版‧ 2013, 89.5 x 95.5 芭梅菈‧埃米亞〈Secret秘密〉 woodcut on 19th fabric木刻版印於19世紀布料僅一版‧2013, 52 x 37
芭梅菈‧埃米亞〈untitled無題〉, woodcut on early 20th fabric木刻版印於19世紀布料僅一版‧2013 42 x 34.5 芭梅菈‧埃米亞 未燃的熾烈On fire without burning‧木刻版印於20世紀法國布料Woodcut on Early 20th Century French print fabric and muslin、Thread‧59 x 73cm‧2013 芭梅菈‧埃米亞 我靈魂與塵埃的短暫對話Ephemeral dialogue between my soul and my ashes‧木刻印於布料woodcut on fabric‧150 x 167.5 cm‧2012-2013 芭梅菈‧埃米亞 保持儀態Keeping the poise‧木刻版印於19世紀法國布料Woodcut and linoleum on late 19th Century French print fabric and muslin、Thread‧49 x 80 cm‧2013 芭梅菈‧埃米亞 新的收成The new harvest‧木刻版印於19世紀法國布料Woodcut on Early 20th Century French print fabric and muslin、Thread‧48 x 74 cm‧2013 芭梅菈‧埃米亞 映像reflex‧木刻版印於中國錦緞woodcut on Chinese brocade‧60 x 72 cm ‧2012
Flickr 上的相片集 門之彼端-芭梅菈‧埃米亞個展。


文／謝其昌(國立嘉義大學視覺藝術系暨研究所專任副教授)

　　門外的妳，還是門內的妳?這是藝術家芭梅菈‧埃米亞對這次展覽主題「門之彼端」的最佳內容詮釋。藝術家延續上次所留下來的灰燼，讓觀者不知不覺再次燃燒在他的語彙裡。我們可以透過他對「門」這個意涵與他觀看物件的視角，嗅出藝術家所要表現的興味，同時也是她在台灣這幾年的親身觀察與記錄。


　　藝術家芭梅菈在創作的發展過程中強調自我觀察與本身的想像力，讓元素與物件中的關聯性更加緊密相扣。往往她的作品中，布料的質感與圖像，決定藝術家日記書寫的形式，有時反之。她總是透過布面的書寫來傳達他對周遭細微思緒，如女人的模樣、門、植物、枯枝、藤蔓和床等圖像，配合拼貼、縫製和壓印的手法，顯現出藝術家芭梅菈個人獨特的思維。我們可以從作品「我靈魂與塵埃的短暫對話」中看到藝術家對作品纖細情感的一面，當然也可以看到她奔放接近狂野的筆調。
　　用布書寫的芭梅菈，一直是她創作的一種形式，也是現階段研究的方向。透過壓印、縫和拼貼等間接性手法來連結個人意識與潛意識的情緒，呈現當下與過去之間的關聯性。同時透過作品主題、布、材質與壓印圖像等元素，讓作品更完整的呈現她所要表現的思維與觀看世界的方法，也讓觀者更容易走入他的日記裡。

門內與門外的妳是否也開始，關注周遭所發生的一切‧‧‧


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“ From the other side of the Door” Pamela Hevia’s solo exhibition

 



譯者/顏雪花(台、英文學創作、台語文學英譯、藝術收藏及評論家)


　　Are you outside or inside the door?  This is the best interpretation of the main theme: “ From the other side of the Door” for artist Pamela Hevia’s solo exhibition.

　　The artist continues the ashes that have left since the last, which were unconsciously ignited in her vocabularies. We can view the angles of the object through the connotation of “door” and feel the real expressive interest of the artist; synchronously, this is personal observation and records of the few years while she stays in Taiwan.

　　Artist Pamela emphasizes the self-observation and individual imagination during the creative process and development, and therefore, the elements and the object would be relevantly and closely linked together. Sometimes in her art works, the form of her diary writing will be decided by the fabric texture and patterns, and sometimes vise versa. She will convey her subtle thoughts of the surroundings through the fabric writing, such as the woman's appearance, doors, plants, twigs, vines and beds or the other images, which are associated with collage, sewing and embossing techniques, showing the artist’s uniqueness in thoughts. We can see the very delicate temperament and emotion through her work-- "The brief conversation between my soul and the dust”; of course, we can find the unrestrained tone and style that approach wildness in her work too.

　　To write in cloth has been the form of Pamela’s creation, it’s also the direction of her research currently. Through the indirect techniques of embossing, sewing and collage and link personal conscious and unconscious emotions to display the relationship between the present and the past.  And, through the elements of subject, cloth, material and embossing patterns, a more complete presentation of work what the artist anticipates to express in her thoughts and the way she looks at the world would be easier for the viewers to get into the world of her diary.

　　Do you start to concern what happened in the surroundings no matter if you are inside or outside the door?


　

Pamela Hevia‧《Ephemeral dialogue between my soul and my ashes我靈魂與塵埃的短暫對話》‧2012-13‧木刻印於布料‧150 x 167.5 cm